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TIME: Almanac 1995
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<text id=93TT2566>
<title>
Jan. 04, 1993: The Best of 1992:Music
</title>
<history>
TIME--The Weekly Newsmagazine--1992
Jan. 04, 1993 Man of the Year:Bill Clinton
</history>
<article>
<source>Time Magazine</source>
<hdr>
MUSIC, Page 56
THE BEST OF 1992
</hdr>
<body>
<p>1. Cecilia Bartoli
</p>
<p> Rossini Heroines (London). She's 26, she's magic, she's
one of the phenoms who bubble up every few years to keep
excitement alive in vocal music. A Roman with natural dramatic
flair, Bartoli skipped over the usual apprenticeship because
leading maestros like James Levine and Daniel Barenboim fell in
love at first hearing. By 1995 she will be starring in most of
the world's great opera houses, but for now she is making her
mark in recordings. Of three incandescent solo discs released
in 1992, this is the gem, showing off her brilliant mezzo
coloratura, sublime musicianship and infectious good humor.
</p>
<p>2. Billie Holiday
</p>
<p> The Complete Billie Holiday on Verve 1945-1959 (Verve).
Speaking of Lady Day and her colleague Lester Young, the
arranger-conductor Bobby Scott noted that both had "a frailty
of spirit" and were "too fragile to live." This is a beautiful
compilation of Holiday's waning years, great American music with
frays aplenty and frailty to spare but no hint of weakness.
Splendid and eternal.
</p>
<p>3. Bohuslav Martinu
</p>
<p> Complete Symphonies (Chandos). The Czechoslovak-born
Martinu was an orphan of 20th century political storms; all six
of his brilliant, idiosyncratic symphonies were composed in
America. Conductor Bryden Thomson and the Royal Scottish
National Orchestra perform with passion and purpose in this, the
find of the year.
</p>
<p>4. Mary-Chapin Carpenter
</p>
<p> Come On Come On (Columbia). Country meets the suburbs, and
old careless love hooks up with genteel angst, at the Chapin
Cafe. In this mature, play-it-till-it-wears-out album, she sings
love laments to an elder sibling, a North Carolina town, an
imprisoned housewife. Her melodies are resilient; her lyrics
bear a trace of Ivy League irony and of paying attention in
poetry class--and these days, isn't that nice? But nice
doesn't get in the way of Carpenter's ingratiating artistry.
She's a good girl gone better.
</p>
<p>5. Anthony Davis
</p>
<p> X, The Life and Times of Malcolm X (Gramavision). Move
over, Spike: this penetrating musical portrait of the
controversial black leader is at once a dazzling first opera and
a powerful evocation of a man, his milieu and, ultimately, his
place in history. The splendid, idiomatic cast includes Eugene
Perry as Malcolm and Thomas J. Young as Elijah Muhammad.
</p>
<p>6. Charlie Haden
</p>
<p> Haunted Heart (Verve). Intrepid bassist Haden has
fashioned an autobiographical musical journey that re-creates
in jazz the film-noir genre. The tunes on which Haden and the
superb Quartet West spin their magic are part original, part
period. Like the movies, the songs are full of long shadows,
late streets and a phantom promise of love.
</p>
<p>7. Tony Bennett
</p>
<p> Perfectly Frank (Columbia). It takes a top talent to do so
right by itself while paying homage to another. This is a
tribute to Sinatra cut to the Bennett mold: just the Ralph
Sharon Trio and Bennett, cruising easily over Time After Time,
lighting up Angel Eyes. Moral: there are no definitive versions
of great songs, only definitive singers.
</p>
<p>8. Arrested Development
</p>
<p> 3 Years, 5 Months and 2 Days in the Life of...(EMI/Chrysalis). Weary of the rage and misogyny of macho
rappers? This debut album offers some refreshing variations. For
one thing, two of the six band members are female. For another,
the group's jazz-, funk- and reggae-laced tracks espouse--without profanity--radical values like love and respect,
reverence for nature and God (catch the album's hit single
Tennessee, for example). These rappers get angry too, but theirs
is a worthy cause: righteous revolution.
</p>
<p>9. Henryk Gorecki
</p>
<p> Symphony No. 3 (Nonesuch). Say it loud--Go-ret-ski--and say it proud: the Third Symphony, composed in 1976, is one
of the greatest and most mysterious works of our time. In three
very slow movements, this crypto-Minimalist, radiantly
spiritual essay on suffering and redemption could only have come
from the deepest recesses of communist Poland. Conductor David
Zinman, the London Sinfonietta and soprano Dawn Upshaw let it
speak its peace, beautifully.
</p>
<p>10. Eric Clapton
</p>
<p> Unplugged (Reprise). A lyrical heartbreaker. The smash
single is Tears in Heaven, written about the death of Clapton's
young son, but what makes this collection a triumph is the sense
of strength and spiritual assurance that Clapton brings to his
playing and singing. It's the record of someone who, after
incalculable pain, is renewing himself as we listen.
</p>
<p>...AND THE WORST
</p>
<p>Billy Ray Cyrus
</p>
<p> Some Gave All (Mercury). Cyrus took his choreography from
Chippendale's and his musical standards from the Chipmunks. But
Achy Breaky Heart, his sing-along smash, held the pop charts
hostage. Cyrus helped turn country music into beef jerky: short
on funk, low on nutrition and punishing to the digestion.
</p>
</body>
</article>
</text>